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AADHum brings African American studies and digital humanities together in order to expand upon both fields, making the digital humanities more inclusive of African American history and culture and enriching African American studies research with new methods, archives and tools.

Generously funded by the Andrew W. Mellon Foundation, the initiative draws on the remarkable faculty, staff, and centers—in the College of Arts and Humanities and across the university—with internationally recognized expertise in the digital humanities and in African American literature, history, and culture. The initiative is co-directed by the Maryland Institute for Technology in the Humanities and the Arts and Humanities Center for Synergy.

FEATURED POST

Hip Hop Archives: How Academia Preserves Rap Music’s Legacy

AADHum’s final digital humanities incubator session last semester, entitled “Representing Movement”, explored how we can use GIS to document travel and movement. To prepare for the Incubator, the AADHum team decided to construct ea series of maps based on the lyrics of some of Atlanta’s most well-known rappers. We were motivated by an interest in how we might represent space through a non-hegemonic lens, having reflected on how we, as scholars, create archives and the tensions that arise in using digital tools to do that work. More specifically, we wondered: How would Atlanta look if you used Black oral history in rap as a starting place?

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